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philosophic stones of Japanese garden

central page of of mysterious harmony       Japanese language

landscape design and garden art
page considers geometrical principles
page shows calendars of Japanese garden
logic puzzles and games with stones
arrange stones of Japanese garden
points of heptagonal network
stones and 33 letters of Russian alphabet
drawings and methods of geometrical measurements
points of Japanese garden of stones

Japanese garden of stones.
Geometrical concepts of a philosophic stone garden.

Solutions of mysterious harmony of a Japanese garden of stones.

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This site section describes geometrical concepts of a Japanese garden of stones, and also describes principles according to which it is possible to arrange stones and other objects of world around.
The first page proves geometrical laws of the Japanese garden of stones in The Temple Ryoanji or Ryoanzi in city of Kyoto, namely mysterious harmony of the well-known garden of stones in the Japanese city Kyoto is solved.
The second page considers some geometrical principles according to which it is possible to create a correct Japanese garden of stones, and also examples of correct gardens are shown.
The third page shows calendars which can be seen in arrangements of stones of a Japanese garden and in lines of a heptagonal geometrical network in the event that stones are mobile also are objects which measure time. And also parities of stones of the Japanese garden with planets in astrology are shown.
The fourth page describes logic puzzles and games in which it is possible to play if stones of a Japanese garden are mobile also are objects of games.
The fifth page shows a puzzle according to which it is possible to arrange stones of a Japanese garden, and also describes the numerological and geometrical idea determining quantity of stones and the sizes of garden in the Japanese temple Ryoanji.
The sixth page shows schemes according to which points of a heptagonal network of lines and stones of a Japanese garden can be compared to letters of the Latin alphabet.

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The seventh page compares stones of a Japanese garden to 33 letters of the Russian alphabet and gods of Vedic mythology, and also compares to 9 numbers in numerology and gods of ancient Greek mythology that allows to consider human mutual relations according to parities of stones with numbers in numerology, and according to parities of numbers and stones with birth dates and numerical values of letters in names of people.
The eighth page results drawings and methods of geometrical measurements according to which it is possible to draw a heptagonal network of lines and to arrange stones of a Japanese garden on place.
The ninth page describes points of a Japanese garden of stones and a heptagonal network of lines where geometrical proportions are perceived most harmoniously, that is possible to take into account at a choice of a position of the observer. And also gives the information on stone spheres which could be objects of ancient megalithic constructions.

 
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The shown information on geometry of the Japanese garden of stones can be actual in landscape design and garden art. As this information is new, namely the shown geometrical principles for arrangements of stones explain a riddle of the Japanese garden differently rather than traditional explanations.

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